Through his archival and sculptural practice, Daegan Wells has been observing, researching, and collecting artefacts from the Christchurch Residential Red Zone for several years, considering the exploration of this largely unoccupied area to be akin to drawing. It was during this process that he came across W. A. Sutton’s former home studio, which was at the time caught in flux between the Earthquake Commission and Heritage New Zealand Pouhere Taonga. While the surrounding neighbourhood has been transformed into an empty grassed landscape, the Sutton House remains, isolated and overgrown, prone to vandalism and in disrepair. Private Lodgings primarily focuses on the surrounding garden, a site of memory for many who came and went from Sutton’s studio from 1963 to 1992.